#Sync audio editready portable#
#Sync audio editready software#
#Sync audio editready plus#

I'm using DR 15 Studio, and experiencing similar woes with waveform syncing. Please upload to Dropbox, or similar, and PM me a link. TornadoTwins wrote:For our videoshoots we use one (or multiple) cameras and a ZOOM H6 recorder for audio.Īre you able to send a few clips and the audio files so we can check it out? Please send the originals. Unless I'm supposed to do something special to make 44.1 and 48 kHz tracks play back properly, it's definitely a bug. But, when zooming in on the Fairlight tab, certain zoom levels make the waveform 'pop' out of place. I'm also noticing that the Fairlight tab has much more detailed Waveforms than the Edit tab. Is there a difference in tempo between 44.1 and 48 kHz playback? Although one seems to play much faster, the tracks are still ending at the same spot. The further in the timeline, the more out of sync.īut here's the kicker: the audio tracks are still equal in length. It tries to sync the timeline in the beginning but quickly the audio shifts out of proportion.

When selecting ONLY one audio and video clip that are supposed to by sync-able (rather than letting the algorithm figure out which clips need to sync) there are still major problems: The camera audio is imported as 48000 Hz. In short: auto sync based on waveform is quite unusable. In the previous betas it didn't work well either and I'm not sure if Resolve14 was any better. My 'work-around' has been to sync audio in Premiere Pro, throw it on one timeline and export the timeline back to Davinci. Here's a screenshot of one of the appended tracks, as you can see, the waveform doesn't match at all:

Sometimes it syncs the 'clap' sound from the slate as significant audio event but all the rest is wrong. The appended tracks aren't even remotely related. Even though the exact same number of audio and video clips are selected, all of which can easily synced by, for example Premiere Pro. Often times, it says some clips could not be matched.

#Sync audio editready software#

The software does its analysis and that's when the trouble starts. I should specify that the audio from camera and ZOOM are both very clear and audible.Īfter importing the footage and audio, I select all of the clips, right click and choose 'Auto Sync Audio > Based on Waveform and Append Tracks'. Media Storage | SD cards are available to purchase from Dan for clients who wish to keep a copy of sound files on an SD card.For our videoshoots we use one (or multiple) cameras and a ZOOM H6 recorder for audio.

#Sync audio editready portable#

Alternate Sound Devices units can be hired in when needed.Īccessories | Variety of accessories available including small portable recorders, batteries, cables, mic stands, boom poles, etc Mixer/Recorders | Additional recorders for scenerios where audio is required away from primary setup, e.g. Director, Boom Op, Client(s), Script Sup., Producers etc Monitoring | Sennheiser IEM Receivers + headphones available for crew monitoring of sound, e.g. Tech details and prices can be discussed if required. For edit-ready wireless feeds, an alternate radio system is required. Wireless Feed-To-Camera | Sennheiser G3 Radio kits available for sending wireless audio feeds to camera. Microphones | Variety of microphones available for all kinds of scenarios Radio Mics | Sennheiser G3 RX/TX kits + DPA 4071s or Cos-11 Lav Mic(s) Alternate cables can be sourced when required.

#Sync audio editready plus#

Timecode Facilities | Additional Tentacle Timecode Boxes w/ cables for: BNC, 4-pin lemo and 5-pin lemo TC camera inputs, plus 3.5mm audio jacks. **Please get in touch for package cost details**Īdditional kit is available from my collection which may be useful for shoots requiring more than 2x radio mics, or for more complex shooting scenarios.

Get in touch if you would like to check if your camera can sync via timecode.Īccessories | Media Storage + XLR cables + Camera-Tails + C-Stand + Lav Mic clips & stickies + Radio Transmitter Body Straps + Rechargeable-Batteries Note: camera must have appropriate input connection(s) for timecode to function, e.g. I then build from this for what the production requires.ġ0-Track Sound Mixer/Recorder | Sound Devices MixPre 10ii w/ Timecode + sound mixer bag + body harnessīoom Mic | Sennheiser 416 Shotgun Mic OR Sennheiser MKH50 Condenser Mic w/ blimp windshield + 3.45m Boom PoleĢx High Quality Radio Mics | 2x Audio Ltd A10 Transmitters + 1x Audio Ltd A10 Dual Receiver + 2x DPA 4071 Lav Mics w/ accessories ġx Timecode Box for Camera | 1x Tentacle Sync Timecode box to be plugged into camera for video/audio time-of-day sync. This is a package I offer for most shooting scenarios.